After some weeks of dithering I have finally begun working on the mezzotint plate that I had finished preparing about 6 weeks ago. There is so much time and effort that goes into rocking the plate, that I am reluctant to commit to working on it until I am sure about what I am going to do. This is only a small 100mm x 150mm plate but it still took 12 hours to rock it completely.
This is the state of play after a couple of hours scraping and burnishing. It's quite difficult to get the lighting right so that it shows up in the photograph but I think you'll get the idea.
After a bit more burnishing I ran off a proof.
Clearly a bit more work is needed.
Friday, 29 May 2015
Wednesday, 27 May 2015
Above the tide line - Lindisfarne
245mm x 360mm
Edition size 9. ( Started with 10 but lost one due to sloppy registration)
Finished the print with the addition of the final colour. Not sure how to describe this though. It was printed in 11 stages, but counting all the colours used in the blends there are actually 20 colours on it. Anyway there is much in this print that I am pleased with, particularly the treatment of the foreground grasses which I would like to develop in future prints. As usual there are a couple of areas I'm not so happy about, but overall it has come out pretty much as I hoped.
For anyone interested in purchasing a print it can be found here
All that is left of the block.
Monday, 25 May 2015
The block inked with the 6th colour. Another blend from blue grey to green.
and printed. This has made the colour of the boat sheet too dark and grey in tone, so the next colour will be printed just as a correction to this.
Colour 7. A blue, slightly darker in tone than the darkest blue in the sky.
The block inked for colour 8.
and printed. Another, darker blue.
Colour 9. A brown for the upper paintwork on the boat.
and colour 10. Some darker details. One more colour will see it finished.
Wednesday, 20 May 2015
Started this print last week but for one reason and another progress has been interrupted. Another few days of concentrated work should see it finished in time for the Printmakers Art Fair at Chester on 6th June.
A blended roll top to bottom from cream through cool grey and back to cream.
A second blend top to bottom from blue grey to a warm mauve grey.
A third blended roll, top to bottom from blue through light blue to pale green. This finishes off the sky area.
A light blue printed across the bottom of the print. This finishes the patch of sea in front of the castle and gives the highlights on the sheeting covering the boat.
Another blend across the bottom of the print, from mauve grey through bright green to a darker green.
By now the location should have become apparent.