"The artist...is also a born adventurer. His explorations, unlike those of a tourist, are rewarded by the discovery of beauty spots unmentioned in the guide books, and with tireless curiosity and an exceptional proneness to wonderment, he will come upon objects of remarkable interest overlooked or even shunned by more disciplined observers."

Augustus John, R.A.




Sunday, 11 February 2018

Castlerigg - 2

Got up early this morning and printed two impressions from the plate to get an idea of how much more work is needed.



The plate, inked, wiped and positioned on the bed of the press.



1st Impression



2nd Impression

Overall pretty much what I was expecting, still quite a lot of the plate needs to be lightened. The whole sky area needs brightening up especially the clouds above the top of the fell. The wisps of mist sweeping off the summit need to be blended back into the clouds. Although I want to keep the area in the top left quite dark to act as a foil to balance the dark line of spruce trees in the lower right. The two foreground rocks need more work to bring out the texture in the stone and I haven't yet decided what to do with the dark shadow areas running across the foreground.

Saturday, 3 February 2018

Folksy Shop

I have added three new prints to my on-line shop, 2 mezzotints and a new linocut.


Gathering Storm, Linocut. £200.00. Sold Unframed.


Badger, Mezzotint. £50.00. Sold Unframed.


Blea Gill Waterfall - Nocturne. £100.00. Sold unframed.

My on-line shop can be found here

Monday, 1 January 2018

Castlerigg Mezzotint - The Begining.

The start of a new mezzotint print. From the original water colour sketch I made a tonal pencil study  which I then scanned and printed off in reverse ready for transferring to the plate. The plate had been rocked with an 84 gauge Lyons rocker in 24 directions with a 50% overlap, about 36 hours work in total. At 200mm x 300mm this is the largest mezzotint I've attempted so far.

The location for the study is the Castlerigg Stone Circle in the Lake District looking north towards Blencathra.


The original watercolour sketch


Tonal study in pencil and ink wash


The study scanned and printed in reverse


Transferred on to the copper plate


Starting the plate work.

Saturday, 18 February 2017

Ready to Edition

After a couple more weeks working on the mezzotint plate it is now at a stage where it is ready to edition.


Sunday, 29 January 2017

Blea Gill - Mezzotint

I started a new mezzotint just before Christmas, beginning work on putting the image on to the plate the first week in December. By mid January the plate was at a stage where I needed to take an impression just to give me an idea of how it would look like printed. On the plate the image looks quite well defined, however this is very misleading as can be seen on the 1st state impression, which is still very dark and on paper not as well defined as the plate image would suggest.



Plate at state i

Image at state i
The image is very dark and with little definition. The sky is starting to take shape and while the waterfall is clear it needs more burnishing to bring out the highlights on the water.



Image at state ii

Image at state iii
More work on the sky, a combination of scraping and burnishing back the burrs is starting to define the clouds and veils of mist sweeping down the valley towards the waterfall.

Image at state iv
Slowly pulling out and sharpening up the image. At this stage the image is almost ready to edition. The cliff to the left of the waterfall needs to be lightened up, it is supposed to be sunlit! The clouds need to be lightened in parts to break up the uniform grey tone.

Sunday, 18 September 2016

Devils Arrows


Devils Arrows - Boroughbridge
Reduction Linocut
240mm x 358mm
Edition of 10

Printed in 23 colours in 16 passes. Way more colours than there should have been but I didn't really have a plan when I started this print and more or less made it up as I went along, gradually adding more colours.

These are two of the three Devils Arrows standing stones in the Ure Valley near Boroughbridge in North Yorkshire. Not quite aligned in a straight line the third stone, partly hidden in trees is behind the viewpoint of this image.

If you wish to purchase this print it can be found at my on-line shop here

Thursday, 15 September 2016

Tynemouth Update


Finally got the mezzotint to a stage where I'm happy that it's ready to edition. Just a little more burnishing on the foreground grasses to bring out the highlights and it's finished.

Tynemouth
Mezzotint printed in 3 colours.
150mm x 200mm.