The first, a light blue for the sky, water and shadowed areas of the birds white plumage.
The next a blue green for the background hillside and the ripples on the foreground water.
Wednesday, 29 December 2010
Tuesday, 28 December 2010
Last job of this year or first of the new
Putting aside the Trawler print temporarily, I've begun work on my redesigned cover for the Huddersfield Bird Report. Delivery promised for the first week of January. No pressure then!! This needs to go better than my last couple of prints have.
First colour down is a darkish cream for the clouds, followed by a rather garish pink which will only show in three areas of the print; the birds beak, a ring around its eye and its legs and feet.
First colour down is a darkish cream for the clouds, followed by a rather garish pink which will only show in three areas of the print; the birds beak, a ring around its eye and its legs and feet.
Monday, 20 December 2010
Rosehips in the Snow
Sunday, 12 December 2010
Eyemouth Trawler Colours 4 and 5
Two more colours down, the first a brown grey colour for some areas of the decking and the edge of the harbour wall in the foreground.
Next was a mid blue tone which will be the main tone for the water down the left side of the print.
On Friday we travelled over to Doncaster to collect the unsold pieces from the Open Art Exhibition. Of the three pieces exhibited one of them sold, so a big thank you to the purchaser if you are reading this. And I hope the print brings you as much pleasure as making it gave me. On Friday evening we attended the preview of the Batley Art Gallery Open Exhibition (two pieces hung), which due to the 'bad weather' had been postponed from the previous week. This is a very good exhibition with a very high standard of work selected and well worth visiting if you are in the area.
Tuesday, 7 December 2010
Ilkley Arts Market
I will be at Ilkley Arts Market this coming Saturday with a selection of work for sale. Not just linoprints but also a selection of illustrations and packs of ex-libris bookplates. Much of the work is unframed but I will also be taking a few framed paintings and linocuts. Prices range from a few pounds for the bookplates to £140 for a framed acrylic painting. Entry to the market is free so if you are in the area on Saturday please call in for a chat, or even pick up an original art work for a Christmas present.
Sunday, 5 December 2010
Eyemouth Trawler, Colours 2 and 3
Printed the second blue colour and then a light brown colour. This colour will not show much on the finished print other than on the timber edge to the harbour wall in the foreground. The blue colour was a complete accident. I had intended mixing a different tone but when this colour appeared on the mixing glass I decided to use it instead. It means adjusting the tones of the other colours to follow so as to maintain the colour harmony. And the print will look different to how I intended but there is nothing new about that!
Looking at this line of prints hanging to dry, I think its about time I invested some time and effort in making a more hi-tech drying rack.
Looking at this line of prints hanging to dry, I think its about time I invested some time and effort in making a more hi-tech drying rack.
Batley Open Art Exhibition 2010
Sunday, 28 November 2010
Starting a New Print
I haven't quite finished with the report illustrations yet, and following the demise of the Kingfisher print I need to come up with a new cover design. So Christmas could be a bit busy this year as I promised they would be ready for the first week in January! However, on the basis that a change is as good as a rest, the illustrations have been temporarily put to one side and a new print started. The third of the trilogy of prints that I intend submitting to the Ferens Open Exhibition in the New Year. Even at this early stage the subject matter is already becoming apparent with this print.
I also need to spend some time this week preparing work for the forthcoming Ilkley Arts Market. Prints have to be mounted, cards printed and ex-libris bookplates trimed to size and packaged. Its important work and needs to be done but I always feel guilty spending time doing this rather than producing work.
Sunday, 21 November 2010
Plodding On
Two more finished illustrations, both drawn in my usual pencil and ink wash.
Dipper.
Had fun with this although I'm not sure that the stream works in monochrome. Its hard to get the feeling of looking down through the ripples to the stream bed. I've painted watercolours like this and its easier to suggest the different planes of view using colour.
Ringed Plover
Just a straight forward portrait of the bird perched amongst the rocks on the edge of a moorland reservoir.
Dipper.
Had fun with this although I'm not sure that the stream works in monochrome. Its hard to get the feeling of looking down through the ripples to the stream bed. I've painted watercolours like this and its easier to suggest the different planes of view using colour.
Ringed Plover
Just a straight forward portrait of the bird perched amongst the rocks on the edge of a moorland reservoir.
Sunday, 14 November 2010
Sunday, 7 November 2010
More Illustrations
Sunday, 31 October 2010
Starting a new set of Illustrations
Waxwings. Pencil and Ink Wash. 130mm x 90mm.
The first of this years illustrations for the Huddersfield Bird Club report. This will be the 21st report I have illustrated.
The drawing is based on a set of sketches that I did a couple of years ago of a small flock that frequented local gardens. This could be a good year for Waxwings as there are already reports of birds in the Halifax area, although I haven't heard of any in the Huddersfield recording area yet.
The first of this years illustrations for the Huddersfield Bird Club report. This will be the 21st report I have illustrated.
The drawing is based on a set of sketches that I did a couple of years ago of a small flock that frequented local gardens. This could be a good year for Waxwings as there are already reports of birds in the Halifax area, although I haven't heard of any in the Huddersfield recording area yet.
Sunday, 17 October 2010
Malham Cove - Revisited
Sunday, 10 October 2010
Doncaster Open Art Exhibition 2010
I have had three Linocut Prints accepted for the Open Art Exhibition at Doncaster Art Gallery. The prints accepted are; Sunlight and Shadows-Malham Cove, The Keep at Conisborough Castle and SH218 on the coble landing-Filey.
The exhibition runs from 23rd October until 4th December 2010.Further details can be found at www.doncaster.gov.uk/museums
The exhibition runs from 23rd October until 4th December 2010.Further details can be found at www.doncaster.gov.uk/museums
Sunday, 3 October 2010
Messed Up !!!
Really messed up with this one, I wasn't going to post this stage of the print, hoping that it would quietly fade away. However, in the spirit of total transparency lets show the failures as well as the successes.
There are two further colours printed on this, a dark blue which is the cause of all the trouble as I printed it far too dark. And a dark green which is the tone I wanted, but isn't sufficently different from the dark blue. This wouldn't be too much of a problem if I was using different blocks for each colour, but this is a reduction print so bridges have been burnt.
Back to the drawing board!
There are two further colours printed on this, a dark blue which is the cause of all the trouble as I printed it far too dark. And a dark green which is the tone I wanted, but isn't sufficently different from the dark blue. This wouldn't be too much of a problem if I was using different blocks for each colour, but this is a reduction print so bridges have been burnt.
Back to the drawing board!
Thursday, 30 September 2010
Next three colours
Sunday, 26 September 2010
Kingfisher First Colours
Sunday, 19 September 2010
Working Drawings
For my next project I have gone back to some field sketches I did around 8 years ago of a Kingfisher beside the River Calder.
Kingfisher. River Calder at Brookfoot. 17th July 2002. Pen and Ink.
Kingfisher. River Calder at Brookfoot. 17th July 2002. Pen and Ink.
Sunday, 12 September 2010
Conisborough Castle
The Keep - Conisborough Castle.
9 colour reduction linocut.
270mm x 180mm.
Finally finished the latest linocut of one of Yorkshires most impressive castles. On the whole I'm quite pleased with how this eventually turned out. Even if it isn't quite how it was originally intended. But thats what drives the creative process - always chasing that elusive perfect masterpiece.
9 colour reduction linocut.
270mm x 180mm.
Finally finished the latest linocut of one of Yorkshires most impressive castles. On the whole I'm quite pleased with how this eventually turned out. Even if it isn't quite how it was originally intended. But thats what drives the creative process - always chasing that elusive perfect masterpiece.
Saturday, 11 September 2010
Colour 8
Wednesday, 8 September 2010
Back on track
Sunday, 5 September 2010
Friday, 3 September 2010
Losing the plot
Back to printing. Its been over a week since I last worked on this, a much longer interuption than I would like. It can be hard to pick up the thread again without losing the direction of the work.
Anyway onto colour 4 - the first green.
.... and then a warm brown colour, which has made the green look a bit lurid. Hopefully the next colours will calm this down a bit!
Anyway onto colour 4 - the first green.
.... and then a warm brown colour, which has made the green look a bit lurid. Hopefully the next colours will calm this down a bit!
Thursday, 2 September 2010
A Break in Dumfries and Galloway
Just got back from a short break visiting my brother in Scotland. Had five days of really good weather.
27th August.
The view across the rooftops towards Frenchlands Tower. Moffat, Annandale.
28th August. Another view across the Moffat rooftops, looking towards Hunterheck Hill.
....and below a real surprise.
An Otter hunting in the River Nith below the weir in central Dumfries. After walking round the town we were going back to the car and stopped beside the river to see if any Salmon were jumping. This otter appeared below the weir and gradually moved closer to us. As usual in such a situation- no camera, paper or pencils. We watched it for about ten minutes then I decided to go to the car for a sketchbook. It took me another ten minutes to get back to find it still there although it gradually made its way up the fish ladder and onto the weir before swimming upstream in the deeper water above the weir. These drawings were made on the spot, the watercolour was added later, more to 'fix' the drawing than anything else.
27th August.
The view across the rooftops towards Frenchlands Tower. Moffat, Annandale.
28th August. Another view across the Moffat rooftops, looking towards Hunterheck Hill.
....and below a real surprise.
An Otter hunting in the River Nith below the weir in central Dumfries. After walking round the town we were going back to the car and stopped beside the river to see if any Salmon were jumping. This otter appeared below the weir and gradually moved closer to us. As usual in such a situation- no camera, paper or pencils. We watched it for about ten minutes then I decided to go to the car for a sketchbook. It took me another ten minutes to get back to find it still there although it gradually made its way up the fish ladder and onto the weir before swimming upstream in the deeper water above the weir. These drawings were made on the spot, the watercolour was added later, more to 'fix' the drawing than anything else.
Sunday, 22 August 2010
A mixed bag this week
Quite a bit of news to post this week. Firstly the latest copy of the Huddersfield Bird Report has been published and is now available to buy. Details can be found by following the link to the Huddersfield Birdwatchers Club on the right.
Following on from the previous post regarding bookplates, I used one of my recent holiday sketches and produced this scraperboard drawing of Lindisfarne Castle. Which should fit the bill for a bookplate design for an old friend from Northumbria now living in the West Country.
And now on to the next Linocut. I'm not going to reveal the subject just yet, for anyone familiar with the history of Yorkshire the identity of the castle should become apparent quite quickly. So here we have the first colour, as usual darker than I intended. I really struggle to get the tone right on the first colour!
Following on from the previous post regarding bookplates, I used one of my recent holiday sketches and produced this scraperboard drawing of Lindisfarne Castle. Which should fit the bill for a bookplate design for an old friend from Northumbria now living in the West Country.
And now on to the next Linocut. I'm not going to reveal the subject just yet, for anyone familiar with the history of Yorkshire the identity of the castle should become apparent quite quickly. So here we have the first colour, as usual darker than I intended. I really struggle to get the tone right on the first colour!
Subscribe to:
Posts (Atom)